Stuart Semple, MORE LIKE A SONG

£1,200.00Price

Enquire Here with SKAL Gallery

 

MORE LIKE A SONG, 2015

Digital print, diamond dust & spraypaint, On Hahnemuhle German Etching paper

45 x 65 x 5 cm

Edition of 30

£1200

  • Further information

    Enquire Here with SKAL Gallery

    Born in Dorset in 1980, Stuart Semple became an artist after a traumatic near death experience at the age of 19 whilst studying Fine Art at Breton Hall in the Yorkshire Sculpture Park.

    Since 2000 Semple has enjoyed a successful artistic career in which he been the subject of 15 international solo exhibitions. He has featured in over 40 group shows and major public art projects.

    In Stuart Semple’s works, the emotional and spiritual impact of mass culture on the individual are re-imagined with a playful, exuberant and sociological language.

    Semple’s hybrid compositions often comprise of disparate appropriated and found elements which he weaves into alluring surfaces that encapsulate a deep critical analysis of contemporary culture. His world is one of low-culture internet trash, 90s nickelodeon colour palettes. indie music, obscure music videos and cultural theory straight out of the 60s Frankfurt school.

    Working across painting, film, public art, sculpture and installation, during the past 16 years Semple has bought a unique voice to the issues facing his ‘millennial’ generation particularly through his perspectives on anxiety, the impact of technology and the image world itself.

    Semple’s work has been the subject of a number of major international solo exhibitions which include, ‘Fake Plastic Love’, Truman Brewery, London (2007). ‘Pop Disciple’, Aus18, Milan (2008), ‘Everlasting Nothing Less’, Anna Kustera, New York (2009), ‘The Happy  House’, Morton Metropolis, London (2010), ‘It’s Hard To Be A Saint In This City’, Cat Street Gallery, Hong Kong (2012), ‘Suspend Disbelief’, The Heritage Rooms, London (2013), ‘Anxiety Generation’, Delahunty, London (2014) and ‘My Sonic Youth’, Fabien Castanier, Los Angeles (2015).

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